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  • 1.
    Eulau, Louise
    Sophiahemmet University.
    Estetikens nycklar till våra inre rum2014In: Vårdmiljöns betydelse / [ed] Helle Wijk, Lund: Studentlitteratur, 2014, 1, p. 347-363Chapter in book (Other academic)
  • 2.
    Eulau, Louise
    Sophiahemmet University.
    Ingmar Bergman's record collection: A discography2018In: Fontes Artis Musicae, ISSN 0015-6191, E-ISSN 2471-156X, Vol. 65, no 4, p. 276-323Article in journal (Refereed)
  • 3.
    Eulau, Louise
    Sophiahemmet University.
    John Gabriel Borkman – en sonat för två naturkrafter: Om Ingmar Bergmans användning av Beethovens pianosonat op. 31/2 ”Spöksonaten” i Ibsens skådespel2021Conference paper (Other academic)
  • 4.
    Eulau, Louise
    Sophiahemmet University.
    Notes on the discography of Ingmar Bergman's record collection2020In: Fontes Artis Musicae, ISSN 0015-6191, E-ISSN 2471-156X, Vol. 67, no 4, p. 349-362Article in journal (Refereed)
    Abstract [en]

    There is plenty of documentation that strengthens the fact that music, and music played on a record player, were a lifelong source of creativity for the legendary Swedish theatre director and filmmaker Ingmar Bergman (1918–2007). Thanks to a scholarship received from The Bergman Estate on Fårö, Sweden in 2017, I was given the opportunity to make a thorough examination of Bergman's record collection. This resulted in a discography of a private as well as limited collection that was published in Fontes Artis Musicae in December 2018. In this follow-up article, which is an expanded version of the paper "Ingmar Bergman's Record Collection – A Discography", presented at the 2019 annual IAML Congress in Kraków, I have dug deeper into the findings. With the purpose of understanding Ingmar Bergman as a person in light of his phonograms, as well as tracing patterns between the discography and the choice of music in Bergman's oeuvre, four major themes are presented. One theme is linked to dance scenes in Bergman's productions; another relates to creativity, inspiration and mediating of emotions and atmospheres in staging. A third theme explains how Bergman used the phonogram as an artifact to spread his productions to a broader audience outside of the theatre and cinema framework. A fourth theme processes the musical influence on comfort and music as a base from which discussions that regard feelings and emotions stem. This theme is associated with music therapy.

  • 5.
    Eulau, Louise
    et al.
    Sophiahemmet University.
    Paulander, Ann-Sophie
    PCMusic - Person centred use of music therapy as pain treatment2019Conference paper (Other academic)
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